I have staged over 40 contemporary operas and worked on more than 100 new works.
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In the 1980s I was fortunate to work as revival director for The Fires of London, the company run by Peter Maxwell Davies. In 2012 I led the Opera Creation Academy at the Festival d’Aix-en-Provence. Alongside MTW, from 1998-2012 I was Artistic Director of Operatoriet - the contemporary opera studio for Norway, and from 2007 – 2012 I was Dramaturg for FIVE:15 - Operas Made in Scotland for Scottish Opera. I co-founded Music Theatre Wales in 1988, and as Artistic Director I want the company to stay at the forefront of new opera in Wales, the UK and beyond. He has recorded for NMC with the London Sinfonietta and for BBC Radio 3 with the BBC Symphony Orchestra. He regularly works with the London Sinfonietta, and other recent concert appearances include the Manchester Camerata, Hamburg Symphony Orchestra and Scottish Chamber Orchestra. He has also conducted at Opera North (La bohème), the Royal Danish Opera (Porgy and Bess and The Nutcracker), Glyndebourne (Followers and Die Entführung aus dem Serail), Iford Festival Opera (Don Giovanni and La Vie Parisienne), Aldeburgh and Holland festivals (The Corridor and The Cure) and the Buxton and Bregenz festivals (Gloria von Jaxtberg). For two seasons he worked in Bayreuth as musical assistant to Kirill Petrenko for Der Ring des Nibelungen.įor the ROH he has conducted Le Portrait de Manon and several world premières. He works regularly at the Royal Opera House, Covent Garden, where he was a member of the Jette Parker Young Artists Programme, assisting conductors including Antonio Pappano, Mark Elder, Andris Nelsons and Daniele Gatti on an extensive repertoire. He won First Prize at the 2009 Leeds Conductors Competition. Geoffrey Paterson studied at Cambridge University and the Royal Scottish Academy of Music and Drama, taking composition lessons with Alexander Goehr and participating in conducting masterclasses with Pierre Boulez. The opera contains many elements of Stevenson‘s famous shilling shocker, The Strange Case of Doctor Jekyll and Mr Hyde. The Devil Inside was inspired by The Bottle Imp, a short story by Robert Louis Stevenson. Damnation awaits someone, but who will it be? The price of the bottle drops ever lower, the imp grows angrier and more eager to escape. A tale of love, sacrifice and addiction ensues. He can watch his young wife die, or buy back the bottle at an even lower price and risk eternal damnation. But when Catherine becomes dangerously ill, James is faced with a choice. They are young, rich and eager to start a family.
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She and James fall in love and get married. He sells the bottle to Richard, who sets off to wish himself a fortune.
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The imp conjures James a property empire. The second condition is that the bottle must always be sold for less than it was bought for. If the owner dies in possession of the bottle, they will burn in Hell for all eternity. The imp will grant all of its owner‘s wishes, but there are two conditions. An old man emerges, bent beneath a weight of sorrows and tells the travellers that he gained his wonderful house and all of his riches via an imp, which is imprisoned inside a magical bottle. As if by magic a beautiful mansion appears. Two itinerant young men, James and Richard, lose their way and become stranded on a mountain in the dead of a stormy night.